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Donald E. Westlake is one of the greats of crime fiction. Under the pseudonym Richard Stark, he wrote twenty-four fast-paced, hardboiled novels featuring Parker, a shrewd career criminal with a talent for heists. Using the same nom de plume, Westlake also completed a separate series in the Parker universe, starring Alan Grofield, an occasional colleague of Parker. While he shares events and characters with several Parker novels, Grofield is less calculating and more hot-blooded than Parker; think fewer guns, more dames.
Not that there isn’t violence and adventure aplenty. The third Grofield novel, The Blackbird shares its first chapter with Slayground: after a traumatic car crash, Parker eludes the police, but Grofield gets caught. Lying injured in the hospital, Grofield is visited by G-Men who offer him an alternative to jail, and he finds himself forced into a deadly situation involving international criminals and a political conspiracy.
With a new foreword by Sarah Weinman that situates the Grofield series within Westlake’s work as a whole, this novel is an exciting addition to any crime fiction fan’s library.
- Sales Rank: #503976 in eBooks
- Published on: 2012-03-01
- Released on: 2012-03-01
- Format: Kindle eBook
Review
“A pleasure…Westlake’s ability to construct an action story filled with unforeseen twists and quadruple-crosses is unparalleled.”—San Francisco Chronicle
(San Francisco Chronicle)
“…as elegantly and unfussily written as you'd expect.”—Nick Jones, Existential Ennui
(Nick Jonas Existential Ennui)
“Energy and imagination light up virtually every page, as does some of the best hard-boiled prose ever to grace the noir genre.” –Publishers Weekly
(Publishers Weekly)
“Grofield is a fun character; his adventures reach a new high in excitement.” – Publishers Weekly
(Publishers Weekly)
“Nobody tops Stark in his objective portrayals of a world of total amorality.”—New York Times
(New York Times)
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933–2008), a prolific author of crime fiction. In 1993, the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Grofield, Alan Grofield - Shaken Not Stirred
By Dirk Drudgler
"The Blackbird" continues Richard Stark's (AKA Donald Westlake) desire to spread out the genre umbrella a little bit without fundamentally changing his main meal ticket, Parker. Instead he uses the adventures of easy going and likable Alan Grofield to move the Parker-verse in some different directions. In the previous Grofield book, "The Dame," Grofield becomes wrapped up in a classic, locked door parlor mystery, a la Agatha Christie. In "The Damsel" Grofield lives out a rousing action romance. In this one, published in the late 60's, he channels Ian Fleming and sees how Grofield stacks up against James Bond.
As with all the Parker books, we encounter characters we have met before giving Stark new ways to build up these minor characters. After a botched armored car robbery (also chronicled in Slayground which was written first but published later), Grofield is captured and involuntarily put to work by a super secret arm of the government in exchange for his freedom. Grofield would much rather escape, but is unable to do so under the thumb of relentless secret agents. Why is Grofield the man for the job? Simple. He has a close relationship with several of the subjects of interest, all of whom we know from previous Grofield stories.
Without giving too much of the plot away, Grofield becomes involved in a classic Bondian adventure with all the accompanying danger, hot chicks and world-wide disaster implications. The story is far more like Bond cinema than Bond books. Unlike Bond who always worked for Queen and Country, Grofield is only looking out for himself. As his involvement in the international plot becomes more tangled the two motivations, country and self, intersect.
There is a substantial maturing of Grofield in this novel, especially from when we first meet him in "The Score." Although he remains his charismatic self throughout the novel, he does several very cold things which would force even Parker (and Bond) to raise an eyebrow. The novel is fast paced and a very quick read. I haven't found a Parker-verse book I haven't liked yet (I'm reading through them chronologically) and this one though radically different from what I've come to expect, is still a great read.
3 of 3 people found the following review helpful.
Entertaining
By C. White
It seems almost anything Donald Westlake writes is a pure joy to read. This one was no exception.
In fact, I've even re-read some of his novels several times when I gave up in getting another good
author. Not only is a good man hard to find, so is an author.
1 of 1 people found the following review helpful.
Grofield does Bond, Westlake blows Stark's cover
By Christopher (o.d.c.)
Publication date: 1969
Chapter one of The Blackbird is similar to chapter one of Slayground: A Parker Novel (Parker Novels)- the same heist told from Grofield's point-of-view. Grofield is a professional, but he is not like Parker, as soon becomes apparent:
"You've got a small army here, you don't need me. What your problem is, you don't want the rest of the team to know one of their number's been bumped off. You get little morale problems like that often?"
"I hope you screw up, Grofield," Ken said. "I hope you screw up so bad I get the order to take you right back and turn you in for that armored car job."
"And let the Third World capture Peoria? Move over, Ken, I'm off to save my country from the pygmies."
Ken moved over. "You cynical b*stard," he said.
Grofield stopped with his hand on the knob. "If I don't come back from this mission," he said dramatically, "I want you to tell the folks back home. Tell them to be on their guard. Tell them to--tell them to--watch the skies!" He went out chuckling, and Ken slammed the door behind him.
This Richard Stark is not in the 'quartet' form- there is no shift in the middle to other points of view. It is a very creditable parody or pastiche of a Bond adventure, with a stark twist in one chapter (nobody does it better), and Westlake's dry humor on display quite often. He seems willing in this outting to blow 'Stark's' cover:
... He sat up, stiff and aching and bruised all over. He called, "Vivian?"
Somebody groaned. He got to hands and knees.
"Groan again," he called.
She groaned again. He crawled in that direction, and touched wet cloth. He slid his hand along the cloth and said, "Vivian?"
A weak voice said, "Watch that hand, there."
"Why? What have I got?"
"So far, leg."
He patted it. "You sound like you're all right," he said.
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