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Poachers: Stories, by Tom Franklin
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In ten stunning and bleak tales set in the woodlands, swamps and chemical plants along the Alabama River, Tom Franklin stakes his claim as a fresh, original Southern voice. His lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching-a world most of us have never seen. In the chilling title novella (selected for the anthologies New Stories from the South: The Year's Best, 1999 and Best Mystery Stories of the Century), three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: "Jesus is not coming." This terrain isn't pretty, isn't for the weak of heart, but in these deperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human.
- Sales Rank: #259224 in eBooks
- Published on: 2009-10-13
- Released on: 2009-10-13
- Format: Kindle eBook
Amazon.com Review
Penzler Pick, December 1999: As the editor of an annual series for Houghton Mifflin titled Best American Mystery Stories, I read scores, if not hundreds, of little magazines in search of the best crime fiction published that year. One story that came to light from the Texas Review was "Poachers" by Tom Franklin, which I thought was easily the most original and memorable tale of 1998. It went on to win the Edgar Allan Poe Award from the Mystery Writers of America and became the title of Franklin's first book, a short story collection of such distinction that it has already provided a shoo-in for spring 2000s Best American Mystery Stories of the Century.
"Poachers" is no ordinary tale of detection but rather a mood piece that will remind the reader of the best of James Lee Burke. Set in the swamps of the deep South, it is a riveting tale of three brothers who are so violent and amoral that they will kill anyone or anything in their path. One of their victims is a young lawman who was much loved, causing the locals to bring in their own hired gun, a game warden of legendary skill as a hunter of poachers. One by one, he tracks down the crazed brothers in a quest for justice.
The other stories in this beautifully produced little volume are also superb. While there is occasional humor, this is not a collection to read if you're in the mood for P.G. Wodehouse or Dave Barry. The dark woods and hollows and the unforgiving swamps and their inhabitants do not make for a sunshiny reading experience. As the old wooden sign in Poachers announces, "Jesus Is Not Coming." Franklin's first novel will be published in 2000 and I, for one, can't wait. --Otto Penzler
From Publishers Weekly
These 10 honestly crafted and carefully executed tales of cottonmouths and skulking outlaws in the South unflinchingly explore the pitfalls and dangers involved in making one's place in the world. The collection's power arises from Franklin's reluctance to analyze its (often bloody) events. In "Dinosaurs," a waste inspector takes a huge stuffed rhinoceros as a reward for not closing down a gas station with several hazardous leaky pumps. In "Grit," a devious laborer at a minerals processing plant trades positions with his supervisor through blackmail involving gambling debts, only to see the scam backfire. The protagonist of "Triathlon," a man trapped in a decaying marriage, remembers fishing for sharks on the night before his wedding. Fantasy has its place, too, as in "Alaska," in which a rambling male voice describes an imagined trip to the Northwest that never gets farther than the shores of a pond in some unspecified Southern location; although little happens, the story's dreamy meandering is seductive. In "The Ballad of Duane Juarez," a man commits small crimes without guilt because he has given himself a fake name, and thereby a fake identity. The other stories in the book, however, only provide a tantalizing buildup to the chilling title story, in which a legendary and demonic game warden in a small Alabama town stealthily and privately punishes three youths who have murdered his predecessor. Franklin announces the arrival of the avenger with a sentence no more complete than "A match striking," and yet this is enough for a good scare. While he may occasionally wax sentimental about life in the impoverished South, Franklin's style is often as laconic and simply spoken as his characters' dialogue, sometimes close to Hemingway, but more often akin to Denis Johnson or Raymond Carver in its resonant ordinariness. Although some readers may balk at the virtual absence of women from these intensely masculine yarns, those who persist will be persuaded by their gruff grace. (June)
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Ten rewarding, workhorse stories, all set in the backwoods country of southern Alabama. Newcomer Franklin seems the sort of southerner who might consider Montgomery the Big City and look upon Arkansans as Yankees. City slickers approaching his work may be reminded at first of Tobacco Road, but most of his characters are from small towns rather than small farmsthough theyre about as poor and just as desperate. Glen, the plant manager of Grit, is in charge of a dying factory owned by a couple of northern idiots who dont visit the premises more than once or twice a year. Badly in debt to one of his employees (a bookie), Glen becomes involved in an increasingly desperate extortion racket. The narrator of Shubuta lives in a dying town where lovesick men buy ammunition whenever their girls leave them. The narrators uncle, who suffered a pretty miserable marriage himself, is now slowly dying in the hospital, and the narrator is trying to figure out what to do about his own unfaithful girlfriend. In Triathlon, a group of friends who met at the Chicago Marathon go to a bachelor party even as their own marriages are disintegrating, and in The Ballad of Duane Juarez, a rich real-estate broker asks his divorced and unemployed brother to come to his house while hes on vacation and kill his girlfriends cats. The title story concerns a doomed family of three brotherssons of a father who committed suicidewho make their living hunting illegal game and kill a warden when he confronts them over it. Dark and evocative, its the most atmospheric and best-developed piece here. Refreshingly gritty and unpretentious: stories that manage to open the door on whatfor most readersremains a previously unknown world. -- Copyright �1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
11 of 11 people found the following review helpful.
The love child of Flannery O'Connor and Harry Crews
By Randall Ivey
Like O'Connor, Franklin has a perfect ear for Southern speech and uses it to hilarious and incisive results. Unlike O'Connor, his characters are doomed with nary a chance for redemption. Here he resembles Crews more, with characters at the end of their tethers, drowning their nihilism in sex, materialism, and booze, lots and lots of booze. In some cases they crave escape to somewhere better or different (like Alaska); in most cases they just don't give a damn. "The Ballad of Duane Juarez" seems most illustrative of this tendency; it is a terrifying tale in which the narrator gives in to the most primitive, scrounging impulses.
Other influences are apparent here, some non-Southern. One can see the presence of Cormac McCarthy, for instance, and his deliberate, blunt, unsentimental prose, or, inevitably, Hemingway's unmistakable minimalism. There is no magnolia-scented prose here; that would imply nobility and hope. Other reviewers have criticized Franklin because his stories often seem lopped off with their abrupt endings. I must admit that bothered me some too, until I realized that a nice, tidy, satisfying ending would be completely out of character with these Franklin's folk. Their restlessness and hopelessness end only when they die.
The celebrated title story impresses most, with its classic theme of survival and its combination of terror and pity. "Grit" comes in second, with its protagonist sucked into a scam and the charms of an exotic woman.
If you're looking for a happy ending, stay far, far away from this collection. If you want a glimpse into the desperate, funny, pathetic, hopeful, hopeless lives SOME white Southerners lead, proceed with caution.
13 of 14 people found the following review helpful.
Southern noir at its best
By Peggy Vincent
A collection of stories, all of which have a heart of darkness. We're talking plot, suspense, character - and alligators. Not for the faint of heart. Nothing charming or frothy here; just riveting tales of violence, drunkenness, death, craziness, and obsession. Superb - only don't read it right before falling asleep.
12 of 14 people found the following review helpful.
Satisfying snack, but now I want more
By A Customer
Poachers is like an exotic nine-course meal. At first you're a little apprehensive and you're not sure you're going to like it. But with each new, unidentifiable dish you become more and more satiated and finally gorge yourself in delight. The final title story is definitely the dessert. Delicious, it hits you right in the gut. This book explores a world I'll never know first-hand, and I'm glad Tom Franklin explored it in my stead. I'm smacking my lips in anticipation of his next book, which apparently will be a novel set in the 1890s.
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