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Set intimately within the social context of black life, this is a collection of stories, "big old lies," songs, voodoo customs and superstitions passed down through oral tradition.
- Sales Rank: #1988401 in Books
- Published on: 1986-10-01
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 291 pages
From the Back Cover
REA’s MAXnotes is an insightful series of literature study guides covering over 80 of the most popular literary works.
About the Author
Zora Neale Hurston, the author of Their Eyes Were Watching God, was deemed "one of the greatest writers of our time" by Toni Morrison. With the publication of Lies and Other Tall Tales, The Skull Talks Back, and What's the Hurry, Fox? new generations will be introduced to Hurston's legacy. She was born in Notasulga, Alabama, in 1891, and died in 1960.
From AudioFile
One could almost accuse Ruby Dee of being a witch doctor. Her narration of this seminal collection of black American folklore is nothing short of extraordinary. Using varying accents and dialects of the Deep South (Eatonville, Florida), she tells stories, she interrupts, she cuts up, she teases, she banters--she inhabits, not mere characters, but groups of characters--friends and neighbors gathered on the porch, in the dance hall, in a card game, hanging around the country store. Her off-the-beat vocal rhythms and prodigious energy create a narrative drive that propels the listener. And the stories are a treasure--traditional tales, explanatory tales, jokes and one-upmanship contests--here are ordinary people finding joy and comedy in everyday experience. As later African-American literature became increasingly militant, Hurston was accused of turning black experience into a minstrel show. But her accomplishment, unappreciated for fifty years, was in revealing so intimately and eloquently how these people made it through their days--and nights. E.K.D. An AUDIOFILE Earphones Award Winner. (c)AudioFile, Portland, Maine
Most helpful customer reviews
2 of 2 people found the following review helpful.
... read their eyes were watching God which I highly recommend. Since eyes was so good I got this ...
By Billy Robinson
First I read their eyes were watching God which I highly recommend. Since eyes was so good I got this one while I love somethings about it like the personnalities and the day to day interactions of the characters. I also enjoyed the way Zora makes these characters so familiar that you feel like your in the setting with these guys as the walk and talk and clown amongst each other. This story is a bit hard to follow because she is bouncing from one character to another and most characters have one paragraph, some one sentence before she moves to another then another. It becomes annoying. I gave it four stars because its worth to be a part of this bouncy zig zaggy novel. But if you really want to witness a master piece you must read "thier eyes were watching God" by Zora. Guys it is a love story but its not mushy and its put together better than this one.
0 of 0 people found the following review helpful.
Immersive Anthropology
By Quinbus
A very interesting book. Ms Hurston came from the poor rural African-American communities in central Florida, moved north and became well educated, studying anthropology with F. Boas, then returned to her native places with the intention of documenting their language and lifestyle. It's an uncommon situation -- can you be an objective observer and at the same time a member of the community you're studying? On the one hand you certainly lose objectivity; on the other you know your subject in a way a stranger never could. The result is a book unique in its genre, and one I personally recommend.
3 of 3 people found the following review helpful.
She is a master and this book is a must read!
By Theia111
Zora Neale Hurston is an American master. This book documents her submersion into the voodoo/hoodoo scene in Florida and New Orleans providing unparalleled insight into the lives of post-slavery/pre-civil rights African Americans in the South. The inventiveness of the characters, the tragicomic tales, the vocabulary, the authenticity of Hurston's portrayals, and her high-risk investment in anthropological participant observation, combine to make this book a classic, not to mention a great read.
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